commuters who scurry like ants in all directions through the
central plaza/transportation hub of this futuristic community.
Quaid follows signs down to the Subway.
10 OMITTED 10
11 INT. SUBWAY STATION - SECURITY LOBBY - DAY 11
Commuters file past wall-sized PANELS. On the other side,
GUARDS screen them for concealed weapons. PAN with Quaid
as he approaches the checkpoint.
BEHIND X-RAY PANEL as Quaid passes behind the X-ray panel,
he and other commuters become WALKING SKELETONS. A few steps
later, the skeletons emerge from behind the screen, opaque
human beings once again.
12 OMITTED 12
13 INT. SUBWAY STATION - SUBWAY PLATFORM/TRAIN - DAY 13
IN A CROWD, Quaid moves forward, one sardine among many, and
boards a subway car.
14 INT. SUBWAY CAR - DAY 14
The doors close behind him and Quaid walks to the side where
TV COMMERCIALS play on a row of flat MONITORS.
ON TV, A CABBIE, in an old-fashioned checkered cap, turns
to the back seat and addresses the CAMERA.
JOHNNY
Thanks for taking JohnnyCab. I hope
you enjoyed the ride.
This commercial ends, and the next one begins.
A HAPPY FELLOW lies next to a SEXPOT on a round bed. The
bedroom is under a glass dome at the bottom of the ocean.
Outside, colorful fish swim around .
NARRATOR (O.S.)
Do you dream of a vacation at the bottom
of the ocean...
JUMP CUT: The Fellow now appears in a poverty level
apartment, alone, surrounded by a pile of bills.
NARRATOR (O.S.)
...but you can't float the bill?
A SOPHISTICATED WOMAN skis to a stop next to a flock of
penguins.
NARRATOR (O.S.)
Would you like to ski Antarctica...
JUMP CUT: The same woman, now in an office, is surrounded
by ten employees, all demanding decisions.
上一页 1 2 3 4 5 67 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 下一页


